The director’s two-part revenge saga has now been released as one mammoth movie with several tweaks and additions

Quentin Tarantino and his epic revenge saga Kill Bill had, as the vengeful lead character in the movie keeps saying, unfinished business. Actually, Tarantino mostly finished the business of re-integrating two volumes of Kill Bill into a single feature as early as 2006, just a couple of years after the release of Kill Bill: Vol 2. But while that version played at Cannes and had a few more recent runs at Tarantino-owned theaters in Los Angeles, it never reached home video (though some bootlegs attempted to recreate it) or a wide theatrical release. That’s all changed with this weekend’s debut of Kill Bill: The Whole Bloody Affair, a four-and-a-half-hour version of the movie hitting over 1,000 screens across North America.

Tarantino made long movies before and after Kill Bill; features that run over two and a half hours make up the vast majority of his filmography. But in the early 2000s, Kill Bill represented a major pivot for the film-maker, away from his then-signature crime dramas with healthy helpings of black comedy. Tarantino and his Pulp Fiction star Uma Thurman cooked up the character of the Bride – “Q & U” are named as providers of the source material in the credits – as a pregnant ex-assassin who becomes the victim of a vicious wedding-eve attack from her ex-boss/lover (that would be Bill) and their lethal colleagues (those would be the other four on her “death list five”, a phrase whose rhythm recalls Fox Force Five, the fictional TV pilot Thurman’s character in Pulp Fiction once starred in). The Bride unexpectedly survives the shooting, goes into a coma, and wakes up years later desperate for revenge, forming the backbone of a movie that pays extensive tribute to the kung fu, exploitation and revenge movies of Tarantino’s youth – and his dreams, if the vividly colorful look of the film is any indication.